In Season: Sansho no mi

If you’ve ever traveled to Japan during the month of May, you probably had a chance to try fresh sansho no mi, the delightfully spicy pods of the sansho pepper plant. At least, we hope so!

For the uninitiated, it’s hard to describe this intensely spicy taste sensation, but we soon became hooked, buying fresh sansho no mi to take home. I’ve kept a bag in the freezer, using a tablespoon every once in a while to make tsukudani, simmering it with kombu (kelp) in dashi, sake, sugar and soy sauce. The result is so delicious that my husband calls to thank me whenever I put some in his bento.

Learn more about this wonderful spice — which is actually only one part of the versatile sansho bush that can be eaten — in our “in season” feature for May.

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Sushi Kanesaka: Edomae sushi in Ginza

Everyone is talking about the recent movie “Jiro Dreams of Sushi.” Have you seen it? I found the movie fascinating, and like everyone else, I dream of being lucky enough to dine there one day. However, reservations are made a year in advance, and according the the movie, it costs ¥30,000 for dinner OR lunch. And as much as I’d like to try what critics call the most delicious sushi in Tokyo, I think I’d feel a bit intimidated by Jiro’s stern presence.

We had a chance to dine at Sushi Kanesaka, another Michelin-starred sushi establishment (with two stars) that is much more accessible and highly recommended. Let’s face it; dining at an elite sushi establishment can be an intimidating experience for visitors, but the welcoming chefs and elegant, comfortable room put you at ease.

There, we enjoyed a fantastic lunch course for far less, and enjoyed classic Edomae (Tokyo-style) sushi in a relaxed atmosphere. Read the article to learn more about what fans call “Kanesaka style” sushi.

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In Season: Sansai Mountain Vegetables

This month, we’re launching a new section on Savory Japan called In Season: The Calendar of Shun. Here is where we’ll feature the very best foods of the season, month by month. If you don’t know about the Japanese concept of shun, read about it here.

Starting off the series is a profile of April’s early spring bounty, which includes sansai, or mountain vegetables.

I have fond memories of gathering bracken fern shoots with my parents, who love food more than anything else (especially if it’s free.) They used to gather big bags of the tender shoots during vacations in the North woods. Although I no longer relish the thought of all the poor ferns that lost their lives, I do love their unique texture and flavor, especially on top of soba.

Learn more about sansai, and look for more profiles of shun in the coming months.

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Esaki: Contemporary Japanese in Aoyama

Featured on Savory Japan for April is Esaki, a wonderful three-star Michelin rated establishment featuring chef Shintaro Esaki’s innovative cuisine. Every single bite of our lunch was surprising and incredibly delicious. And midway through our meal, our server came to the table bearing the bounty of the season in a basket brimming with the wholesome, fresh produce that went into our meal.

Esaki is a place we’d like to return to again at different times of the year, as seasonal shifts bring varieties of seafood and produce into their shun (the peak of flavor).

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Hinamatsuri: Celebrating Girls’ Day

Today is Hinamatsuri, Japanese Girls’ Day. This month on Savory Japan, we introduce the festival, as well as some of the special foods that are enjoyed on this day. The beautiful Odaira-sama (Emperor) and Ohina-sama (Empress) dolls pictured here are our family treasures — given to me by my mother and aunt (my grandmother, sadly, passed away before I was born). They will be handed down to my sister and her eldest daughter (as I have no children), and so on.

In modern Japan, the Emperor is usually seated on the left hand side. We’ve always displayed them in this manner — with the Empress on the left hand side — which is apparently the old, or traditional style.

Read more about the Hinamatsuri Festival.

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Hoshinoya Kyoto: Redefining the Luxury Ryokan

Last Autumn, just after we stayed at Hoshinoya Karuizawa and made a brief detour to Nagano, we arrived at the boat launch for Hoshinoya Kyoto, the latest addition to the luxury modern ryokan (Japanese inn) resort as envisioned by Yoshiharu Hoshino. Stepping onto a specially designed wooden boat, we traveled for just a short distance in a matter of a few minutes, yet the separation from the outside world immediately began. Then, the elegant roof lines of the complex of 16th-century buildings came into view and we noticed two Hoshino staff members standing ready at the boat landing. We knew we were about to experience something unique.

We can’t say enough about this resort — it’s otherworldy. But what surprised us the most was that in the midst of all the pampering in luxurious surroundings, there were also ample opportunities to learn. And this made all the difference — leading to something much deeper. Read more.

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The Art of the Jubako

Happy New Year! May 2012 be filled many delicious meals shared with good friends and family.

We thought we’d share some tips we’ve learned over several years of putting together the oshogatsu (New Year’s) meals in jubako (tiered lacquered boxes). It was only a few years ago that we finally purchased a high-quality, four-tier antique black lacquered jubako, and we’re starting to really enjoy the art of filling them with osechi ryori (New Year’s cuisine).

Above, we have a detail of one of the more colorful boxes, filled mostly with things we didn’t make, but purchased. In the center is a gold kozara (small dish) filled with ikura (salmon caviar). Nestled closely around it (clockwise, from top left) are; two dishes made with eggs: Datemaki flavored with yuzu (citron) and Nishiki tamago (egg separated into yellow and white and pushed through a fine sieve); Several kinds of kombumaki (kombu rolled around a center and simmered until tender) filled with salmon, anago (sea eel) and tarako (salted cod roe). We were able to keep the bright color and round shape of the shrimp by first skewering them into shape, quickly parboiling to set the color and then gently boiling them in dashi mixed with sake, shoyu and mirin. Ferns and cedar branches — as well as parboiled snow peas — serve to set off “zones” for each type of food.

It’s always nice to have a few large focal points as well. The gorgeous prawns in the center of the box pictured above serve this function well. It’s important to keep to the lucky numbers such as one, three and five. Therefore, even though the prawns were sold in packs of two, we placed three here and one in another box. Around the prawns are kombumaki, simmered sato-imo (taro); yuzu filled with ikura, pink and white kamaboko (fish cakes); creamy, golden kurikinton; tataki gobo (pounded burdock) and kiku kabu (turnip chrysanthemums).

Take care to place contrasting colors next to each other, and pack them tightly so as to portray abundance.

Osechi ryori is designed to be eaten at room temperature, so it’s a wonderful way to throw a party. If kept simple, you only need to replenish the boxes as the night progresses. And while I always aim to include ALL the dishes for the party in these lovely boxes, we invariably find that some things — such as salads — are better served in bowls. I suppose we just need to find some small black lacquered boxes to hold such items. Oh well, that will be for next year.

The anticipation of the year’s jubako is always a joy. We talk about what and what not to include during the year. But we always include the classics. For recipes and an explanation of the history and symbolism of nine of these important dishes, please refer to the Oshogatsu page on Savory Japan.

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Oshogatsu 2012

New Year’s is just around the corner, and we’ve already completed half of our shopping for the coming year’s Oshogatsu celebration. The centerpiece of the meal is osechi ryori, pictured above, served in antique black-lacquered trays. Osechi is a time-worn, ancient type of cuisine that is heavy on long-simmered vegetables and sweet, sour and savory flavors. As you might have seen in past blog posts about oshogatsu shopping, preparation and cooking, and the long-awaited celebration, the whole process is a lot of work. So much work, in fact, that last year’s Oshogatsu party — one of the biggest and most elaborate we’ve ever thrown — tired us out for three days.

This year, we’re planning to spend a quiet Oshogatsu and will host a smaller party. Part of the menu will include some kind of grilled mochi topped with various colorful and flavorful toppings, as served at Mochikiya, a charming mochi shop at Kyoto’s Nishiki Market.

My husband plans to include a new recipe for mochi topped with Kobe beef and black sesame sauce. We always like to mix a few rich, Western dishes with the light and healthy Japanese ones — in small portions, of course.

We’d like to take this opportunity to wish you a very Happy New Year. May 2012 bring you and your family joy, health and prosperity.

See you in 2012!

 

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Sencha Basics

If you’re like us, no matter how much time you spend in Kyoto you feel like you’re only scratching the surface. The city holds so much knowledge that it can be both fascinating and frustrating at the same time. Well, if you have a few hours to spare, you can take part in a lesson on one of Kyoto’s most important highlights: tea, so you can delve a little deeper: Specifically, a lesson on brewing sencha (green tea) at one of the city’s venerable shops: Ippodo.

Although many visitors to Kyoto want to delve into the tea world, Ippodo’s lessons will give you the opportunity to learn how to brew a truly good cup of tea and might point you in the direction of what type of tea you want to study.

We thought we knew how to brew a good cup of sencha, but what we learned during our lesson was fascinating. For one thing, we learned we were using too little of the precious green stuff, but also that we could get three or more pots out of a such a generous amount of tea leaves.

Start your lesson on sencha basics here.

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Hoshinoya: Imagining another Japan

Recently, we had a chance to stay at two remarkable resorts: Hoshinoya Karuizawa and Hoshinoya Kyoto. We’re big fans of the traditional ryokan (Japanese inn) experience, but after our blissful stays we became fascinated by this new style of accommodation, one that marries Japanese tradition with modern comfort. At both resorts, we were impressed by the impeccable service, great food and beautiful surroundings, but we also experienced a level of freedom that led to a deeper sense of relaxation. We didn’t have to worry about our Japanese language ability or manners (as the staff speaks excellent English, as well as other languages), and we had the freedom to dine where and when we chose. Excursions and cultural enrichment activities were abundant and readily available, but we could also choose to do nothing, browsing the libraries’ excellent selection of books and magazines, enjoying the spa and/or hot spring baths or taking strolls through the woods.

The difference was apparent upon arrival at both properties. Cars are not allowed on Hoshinoya Karuizawa’s small paths, and arrival at Hoshinoya Kyoto is by boat. Welcome ceremonies, played upon instruments both modern and traditional, strike a primal chord, floating above the sounds of rushing water and wind through the trees. In just a few minutes, visitors are transported to another place.

And that is exactly how Yoshiharu Hoshino, the President of Hoshino Resorts Co. Ltd., wants it. We caught up with the globe-trotting, youthful 51-year-old powerhouse during a recent visit to Tokyo, and were able sit down for a few minutes to learn more about this concept.

Hoshino is the fourth-generation owner of a family business that started as Hoshino Onsen in 1904: a traditional hot spring ryokan in Karuizawa. But since then — due mostly to Mr. Hoshino’s innovative ideas — it has grown into a resort management company that owns and/or manages 28 properties throughout Japan (as of 2011).

An avid skier and outdoorsman with a Masters in Hospitality Management from Cornell University, Hoshino grew up wondering about the fate of the traditional ryokan. Many foreign guests (as well as young Japanese) found the rooms to be small and the futon bedding, uncomfortable. As modern Japanese are also accustomed to tables and chairs, they also found it tiring to sit on the floor without backrests. In the meantime, Hoshino also saw the luxury domestic market flocking to Western resort hotels. He knew he had to find a new way forward.

Hoshino also wondered what Japan would be like if it continued to modernize without the influence of the West, as he felt Japan had become too Western. So, he did something unprecedented: He closed Hoshino Onsen for 10 years and invested in a complete overhaul of the complex, essentially re-imagining a new Japan in the process. In 2005, a new vision and a luxury ryokan concept — christened Hoshinoya Karuizawa — was born.

The gamble paid off and Hoshinoya Karuizawa prospered. Other companies started to change the way they designed and ran their resorts. But Hoshino Resorts stayed ahead of the curve. It was the first eco (green) resort, generating as much as 70% of its energy (via geothermal heating and three micro-hydro generators), and remarkably, no trees were destroyed during the construction. It also became one of the few truly bi- and multi-lingual resort companies as well, one that is to this day able to cater to an increasingly international crowd.

Arrivals and departures are by boat at Hoshinoya KyotoHoshinoya Kyoto came next, opening in December of 2009 (A review of this property will appear on Savory Japan in the coming months.) It quickly became known as a destination in a league of its own. No expense was spared in the exquisite restoration and transformation of a riverside cluster of 400-year-old Sukiya-style buildings, once the library and summer home of Ryoji Suminokura. While a small road connects the property to the nearest road, travelers are transported to and from the resort by custom-made wooden boats. Although the trip takes less than 10 minutes, the journey marks a departure from the outside world, one where TVs, phones and worldly concerns are left behind.

Hoshino has a particular knack for hiring talented and gifted people in the construction and operations stages of his business, and this roster extends to the staff, artists, designers, and especially culinary talent. Each chef managed to capture the essence of each region and location and yet, at the same time, surprise and broaden our expectations with their innovative creativity — so much so that future articles will hopefully allow you to enjoy their skill and artistry as well.

Up next in the Hoshinoya line are Hoshinoya Okinawa, on Taketomi Island, opening in June of 2012, and Hoshinoya Fuji, expected to open in 2013. With the completion of this “circuit,” visitors will be able to have a range of experiences with the same level of luxury combined with traditional Japanese hospitality.

It is this hospitality, in fact, that was most memorable during our stay. While visions of the beautiful and harmonic colors and proportions of its architecture and gardens and the exquisite flavors of its inventive cuisine were all enjoyable, it was the heartfelt will of the staff to help us in every way that left the most lasting impression. So, while the setting may have drawn us to Hoshinoya, it will be the people who will draw us back. Let’s hope it’s soon.

 

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